He also wrote lyrics for the television show, In the 1950s and 1960s Nash gave increasing attention to writing children’s poems, while he continued his steady output of adult-oriented whimsy. Poet #96515. While Nash claimed cheerfully that he was culpable of the full range of poetic wrongs with which the Sweet Singer might be charged, he avoided the rustic and the sentimental. Nash’s moral relativism is characterized with precision in “Golly, How Truth Will Out,” from Many Long Years Ago, when Nash cheerfully contemplates how vital it is to become skilled at the fine social art of smooth and convincing prevarication. Presenting the essence of his comic vision. Most Popular ★ Boost . He is from NY. Because liars can just logically lie their way The great American comic poet Ogden Nash (1902-71) can wrote a great number of short poems, though they were not all classics. SUMMARY: Ogden Nash (August 19, 1902 – May 19, 1971) American poet, author Ogden Nash Quotes Ogden Nash Books. But he was unique—not at all like Gilbert or Lear or Lewis Carroll, still less like his immediate predecessors in America: Dorothy Parker, Margaret Fishback, Franklin P. Adams. A famous bearer was the humorous poet Ogden Nash (1902-1971). Oh to be ever prepared with a plausible fib! In the 1940s he was heard on radio’s “Information, Please!” and on the Bing Crosby and Rudy Vallee shows. His unique style in his poems was a misspelling of words intentionally and the use of puns. The comic confusion can destroy all the boundaries of conventional perception. Nash's first collection of poetry, Hard Lines, was published in 1931. Nash began to refine his focus upon what he called “my field—the minor idiocies of humanity.”, Early in his stay at Doubleday, Page, Nash made his first attempt at writing a children’s book, collaborating with his friend Joseph Alger on The Cricket of Carador (1925). Oh to be Machiavellian, Oh to be unscrupulous,               along that they like better; William Soskin refers to Nash’s verses as “a compendium of bitter insanity, wry foolishness and considerably inspired lunacy.”, Yet Nash’s darker side appears infrequently. Ogden Nash. Harry Potter and the Order of the Phoenix, Harry Potter Page to Screen: The Complete Filmmaking Journey, LEGO Harry Potter: Building the Magical World, LEGO Harry Potter: Characters of the Magical World, Harry Potter and the Deathly Hallows: Part 1, Harry Potter and the Deathly Hallows: Part 2, Fantastic Beasts: The Crimes of Grindelwald, Magic Beyond Words: The J.K. Rowling Story, Creator: Harry Potter and the Chamber of Secrets, https://harrypotter.fandom.com/wiki/Ogden?oldid=1329162, Articles with information from Harry Potter and the Chamber of Secrets, Articles with information from Harry Potter and the Goblet of Fire, Articles with information from Pottermore. 14 Save He wrote many, many short, funny poems for children but is probably best known for a slightly longer poem called The Adventures of Isabel, about a little girl who meets a big, scary bear. In such a fix to be so fertile. out of it if they don’t like it or if one comes His more compact bits of witty social criticism, his most telling observations of human folly, are more in the tradition of Benjamin Franklin. Nash’s love for Baltimore— and Baltimore sports, in particular— was no secret. Despite his occasional similarities to such comic writers as Thurber and Benchley, Nash finally appears as one who, for all his momentary self-doubts, does indeed have a firm sense of identity and security. Nash followed it up in the same year with Free Wheeling, in 1933 with Happy Days, and in 1935 with The Primrose Path. Quotations by Ogden Nash, American Poet, Born August 19, 1902. Adventures Of Isabel, A Word To Husbands, Always Marry An April Girl He continued also to address his younger readers in fantasies that demonstrated his imaginative communion with them, such as The Mysterious Ouphe (1965). While working at Doubleday, Doran, Nash collaborated with Christopher Morley and another colleague to create his first published piece of comic writing, an effusion of youthful good spirits that parodies various forms of serious literature: Born in a Beer Garden or, She Troupes to Conquer: Sundry Ejaculations by Christopher Morley, Cleon Throckmorton, and Ogden Nash, and Certain of the Hoboken Ads, with a Commentary by Earnest Elmo Calkins (1930). Such spelling appears in the limerick “Arthur,” from Many Long Years Ago: There was an old man of Calcutta, In one of his verses, he receives a splinter in his foot as he steps from bed. Few writers of light or serious verse can claim the same extensive dissemination of their poems that Nash’s works enjoy, both with and without citation of the author. For example, poet Morris Bishop wrote: Free from flashiness, free from trashiness, The reality principle and the American respect for pragmatism that Blair identifies as “horse sense” underpin the great majority of Nash’s verses. Let's check, How Rich is Ogden Nash in 2019-2020? Ogden Nash Poems. An ancestor, General Francis Nash, gave his name to Nashville, Tennessee. According to TrendCelebsNow.com, famous Poet Ogden Nash's net worth is $1 Million - $5 Million. Frederic Ogden Nash was an American poet, well-known for his light verses with unconventional rhymes. Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse. August 19, 1902 (age 69) Birthplace . How does a person get to be a capable liar? With more than twenty 20 books to his credit he is a versatile writer for children of all ages. Watch Prathamesh Soni talk about the light-hearted writings of the celebrated English poet Ogden Nash, and dive deeper into Nash's comedy and satire! Here, too, is Nash’s cheerful maiming of conventional syllabication and pronunciation, his novel reorganization of stresses, his near rhymes, and the extended, straggling line, which he so frequently employed and likened to “a horse running up to a hurdle but you don’t know when it’ll jump.” In the introduction to I Wouldn’t Have Missed It (1972) Archibald MacLeish, considering that afternoon in 1930 on which Nash’s poetic career began, commented, “as one approaches thirty, things have a way of happening.” And on that afternoon, said MacLeish, “He found himself—or, if not precisely himself, then a form of language he could speak,” MacLeish noted that if one does not see Murray Hill beyond the copywriter’s head as he leans from the window, “one can at least smell it: that penetrating pharmaceutical scent of face powder and sex which pervades the metropolises of our cosmetic civilization.” There is something empty about the young man’s hope, MacLeish stressed, “Even the defeated artist’s pain. This pedigree did not in the least restrain the poet-inheritor of the Nash name from gently but thoroughly deflating genealogical pretensions, along with other pomposities, in his verses. Postal Service released a postage stamp featuring Ogden Nashand 6 of his poems on the centennial of his birth on 19 August 2002. Not only did Nash use the fractured cliché to destroy the cliché, he also demonstrated, with hilarious results, the way that a zany idea can become its own motivation in his imagination. [Source] Who coated his tonsils with butta, Nash described his unique accent as “Clam chowder of the East Coast—New England with a little Savannah at odd moments” and attributed it to the influence of his family’s peripatetic existence during his formative years. The results left something to be desired; he sold one bond—“to my godmother”—but had the chance to “see lots of good movies.” Following his failure at high finance, Nash took a job writing streetcar advertising for Barron Collier. In off hours, he tried to write serious poetry. Nash published his first collection of poems, ‘Hard Lines’ in 1931 and earned national recognition. As George Stevens reminisced on his and Nash’s life during Prohibition, “It was the era of the ignoble experiment, and we ignored the law in each other’s society more than once. A song from the musical, “Speak Low,” has continued to be popular. It was at Doubleday, Doran, as he faced Stevens across their desks, that Nash began scrawling brief verses on pieces of yellow paper and pitching them over to his friend. Discover the real story, facts, and details of Ogden Nash. He was married to Frances Rider Leonard. In another he cannot keep his seemingly animated bedcovers on as he tries to stay warm in the night; they ingeniously defy his best efforts to keep himself covered. “That’s why I really think New York is exquisite. His interest in … Nash’s first published humorous poem occurred to him one summer afternoon in 1930 as he gazed out his office window at an urban prominence, a mound covered by high-rise buildings, but still euphemistically called a “hill.” Nash, casting about for thoughts to keep his mind off the business of writing advertising copy, idly jotted down some lines of verse, which he soon threw into a trash bin. Later he retrieved the paper, titled the verse “Spring Comes to Murray Hill,” and mailed the poem to the New Yorker, which accepted it. His targets were rarely too deeply offended by his barbs, thanks to the whimsical tone in which they were expressed. The resulting effort, book by Perelman, lyrics by Nash, and music by Weill, was One Touch of Venus, a smash hit of the 1943 Broadway season that ran for 567 performances. Stands the monument ogdenational. This quatrain follows a simple and consistent rhyme scheme of AABB. “That was what the people I read wrote about, too—, Early in his stay at Doubleday, Page, Nash made his first attempt at writing a children’s book, collaborating with his friend Joseph Alger on. In the 1950s and 1960s Nash gave increasing attention to writing children’s poems, while he continued his steady output of adult-oriented whimsy. Nash always saw his role as that of cheerful light entertainer, and maintained it to the last in his writing. Ogden Nash was arguably one of the most commercially successful English-language poets of the twentieth century.. Nash's verse skewered the pretensions of the modern middle class existence and gave voice to the inner seethings of the average, besieged-by … He wrote three screenplays for MGM: The Firefly (1937), his adaptation of Otto A. Harbach’s play; The Shining Hair (1938), coauthored with Jane Murfin; and The Feminine Touch (1941), written with George Oppenheimer and Edmund L. Hartman. Whatever the nature of his ailments, however, they did not keep Nash from traveling or living happily away from the East Coast. / It is to this trait I am debtor / for the happy fact that on week ends I generally feel better.” This theme grew so compelling to Nash that in 1970, he compiled his lifetime dialogue with his body’s real or imagined ills into a poetic compendium of medical complaints, Bed Riddance. Explore Ogden Nash's biography, personal life, family and cause of death. Ogden Nash, in full Frederic Ogden Nash, (born Aug. 19, 1902, Rye, N.Y., U.S.—died May 19, 1971, Baltimore, Md. Following his secondary education from 1917 to 1920 at St. George’s School in Newport, Rhode Island, Nash attended Harvard for the 1920–1921 academic year, and then, as he put it, he “had to drop out to earn a living.” He first tried teaching at his alma mater, but after a year he fled from St. George’s, “because I lost my entire nervous system carving lamb for a table of fourteen-year-olds.” Throughout his life Nash was a bit of a hypochondriac—one who, a friend recalled, “seemed to enjoy poor health.”, After St. George’s Nash tried working as a bond salesman on Wall Street. During this screenwriting interlude, however, Nash met S.J. 126 poems of Ogden Nash. This sort of mental-verbal confusion, and the triumph of the strange word, or combination of words, over common sense appears often in the comic quandaries of such modern writers as James Thurber and Robert Benchley, writers of what Blair terms the “dementia praecox” school of humor. The next significant addition to the themes in his verse occurred, naturally enough, as Nash and his wife—he married Frances Rider Leonard on June 6, 1931—began their family. This slight but imaginative fantasy forecast his lifelong fascination with animals. Bob Ogden (possibly)Tiberius Ogden (possibly) The resulting effort, book by Perelman, lyrics by Nash, and music by Weill, was, Nash had more consistent if less spectacular luck with radio and television than he did with the stage. Hence, “My heart leaps down when I behold gadgets with cocktails.”. These volumes reflected approximately the same focus and emphasis as Hard Lines, and all enjoyed good sales and repeated printings as Nash began to attract greater and greater public attention. Share with your friends. Famous residents have included writers Edgar Allan Poe, Edith Hamilton, Frederick Douglass, W.E.B. Human Presenting the essence of his comic vision, Hard Lines introduced Nash’s comedy and the occasional more serious directions in his thought with great success, as the book’s sales emphasized. Pretending to acknowledge a profound debt to the major sources of his inspiration, Nash dedicated Hard Lines to Dorothy Parker, Samuel Hoffenstein, Peter Mark Roget, and “The Sweet Singer of Michigan, without a complete and handy set of whose works this book could not have been written so quickly.” This invocation honors the would-be poetic warblings of Julia Moore, the 1870 farm-woman-versifier whose stabs at poetry, heavy with stock moralizing, overdone sentimentality, extensive cliches, awkward inversions, grotesquely tortured rhythms, and dreadful rhymes, offer an index to the sins of which the talentless poet may be guilty. Nash made his name by keeping his love for rhyming alive. Free from flashiness, free from trashiness. These famous lines from “Autres Betes, Autres Moeurs” suggest how the animal world inspired Nash: The Turtle lives’ twixt plated decks               or a treaty is no longer a fetter, He can’t help but see this single creature as multiple and find himself confused by how its body works. To a soft, oleaginous mutta. I think it clever of the turtle And say to myself you have a responsible job, havenue? Few writers of light or serious verse can claim the same extensive dissemination of their poems that Nash’s works enjoy, both with and without citation of the author.  Ogden Nash was a New York Times poet who had been famous for his Satirical poetry. During his lifetime, Ogden Nash was the most widely known, appreciated, and imitated American creator of light verse, a reputation that has continued after his death. / It isn’t all right just for a visit / ... I’d live in it and like it even better if you gave me the place.”, This celebratory tone, however, is countered in another verse in Hard Lines, the strikingly somber “Old Men,” with which the volume ends. The poem shows the characteristic mental process of the Nash poetic voice, or, more precisely, the Nash character’s voice: a moment’s boredom spiraling into an absurd festival of fractured rhyme and novel syllabication, as these lines suggest: I sit in an office at 244 Madison Avenue Educated at St. George's School in Rhode Island and, briefly, Harvard University. He moved on in 1925 to the advertising department at the Doubleday, Page publishing house, which was to become Doubleday, Doran in 1927. In “When the Devil Was Sick Could He Prove It?” from Many Long Years Ago, Nash’s comic speaker thinks about how embarrassing it is when you feel “unspecifically off-color,” but “still you can’t produce a red throat or a white tongue ... or any kind of symptom / and it is very embarrassing that whoever was supposed to be passing out the symptoms skymptom.” Thermometer gazing and pulse taking are featured in a number of Nash’s poems from this time and later, poems usually ending in a mild self-criticism: “I can get a very smug Monday, Tuesday, Wednesday, Thursday / or Friday in bed out of a tenth of a degree. The 6 poems are "The Turtle," "The Cow," "Crossing The Border," "The Kitten," "The Camel" and "Limerick One." He was a regular panelist on the guess-the-celebrity show “Masquerade Party” in the 1950s, and was in frequent demand as a panelist for other such shows. / Yesterday she was only one; / today, I think, will be twice the fun.” He returned often to his so-called advice for parents, in such works as Santa Go Home: A Case History for Parents (1967). Enjoy the best Ogden Nash Quotes at BrainyQuote. Nash had considerable aptitude for advertising, according to George Stevens, a colleague at Doubleday, Doran, who felt that Nash could have made quite a success at the business. We used to go to Yankee Stadium to see Babe Ruth in his greatest year and the Yankees in theirs. It was the 1st stamp in the history of the USPS to include t… He earned the money being a professional Poet. He also wrote lyrics for the television show Art Carney Meets Peter and the Wolf, based on Sergei Prokofiev’s Peter and the Wolf, and for two other television specials for children based on Camille Saint-Saëns’s Carnival of Animals and Paul Dukas’s The Sorcerer’s Apprentice. Community content is available under. The results left something to be desired; he sold one bond—“to my godmother”—but had the chance to “see lots of good movies.” Following his failure at high finance, Nash took a job writing streetcar advertising for Barron Collier. Nash’s moral relativism is characterized with precision in “Golly, How Truth Will Out,” from. Species Frederic Ogden Nash (1902-1971) was a famous New York poet; a writer a funny poems; clever, inventive poetry—and a football fan. Harry Potter and the Chamber of Secrets (First mentioned) Harry Potter and the Goblet of … The kinds of conflicts that are featured in Nash’s verse, too, make it clear that things in town are not too bad at all, from where the poet sits. In his most characteristic pose, Nash is a good-natured observer of the passing scene, hopeful that it is going to yield him adequate curiosities to turn into comic capital. Ogden Nash. We’ll mail it for you.”), Nash’s humorous advertising sallies were by no means his sole writings during this period. *Disclosure: Some of the links above are affiliate links, meaning, at no additional cost to you, Fandom will earn a commission if you click through and make a purchase. During his lifetime, Ogden Nash was the most widely known, appreciated, and imitated American creator of light verse, a reputation that has continued after his death. How does a person get to be a capable liar? In the majority of his works, he seems united with less neurotic humorists of earlier periods. Occupation Ogden Nash [1902-1971] an amazing humourist whose short pithy poems entered the realm as an American Literature treasure. Nash is connected not only with Thurber, but with a wide range of modern humorists who display that, on occasion, their comic personae have their perceptions shaped by minds not altogether under control. Ogden Nash has 110 books on Goodreads with 13817 ratings. From 1936 to 1942 he had a well-remunerated but frustrating sojourn in Hollywood. The Bad Parents’ Garden of Verse, which appeared in 1936, expresses a variety of new concerns. He was raised in Savannah, Georgia, and several other East Coast cities, as his father’s import-export business necessitated that the Nashes make frequent moves. The poem epitomizes Nash’s whimsical style and projects the essence of the comic vision that was to amuse Nash’s readers from that time to the present. The largest & most popular online collection of poetry by Ogden Nash! Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote over 500 pieces.With his unconventional rhyming schemes, he was declared the country's best-known producer of humorous poetry. Many of Nash’s pithier aphorisms contain such concise and witty punch that they might have been penned by Franklin, or—with worse spellings—by Josh Billings: “It is easier for one parent to support seven children than for seven children to support one parent” (The Private Dining Room, 1953); “One way to be very happy is to be very rich” (Hard Lines); “The reason for much matrimony is patrimony” (Many Long Years Ago). The reality principle and the American respect for pragmatism that Blair identifies as “horse sense” underpin the great majority of Nash’s verses. [1][2] They may have been a relation of Bob Ogden and Tiberius Ogden. Orthography yields to phonology in such lines as “Philo Vance / needs a kick in the pance”; “Many an infant that screams like a calliope / could be soothed by a little attention to its diope”; and “Like an art lover looking at the Mona Lisa in the Louvre / is the New York Herald Tribune looking at Mr. Herbert Houvre.”. Nash’s speaker, in a certain group of poems written throughout his career, shares with Benchley and Thurber a conviction that he is being pursued by inanimate things. The two quickly became friends and decided to collaborate on a musical, for which Kurt Weill was recruited to provide the score. Ogden Nash was a famous American poet born in 1902. Oh to be glib! On Dec. 13, 1968, the front page of Life magazine was emblazoned with the words “My Colts: Verses and Reverses, by Ogden Nash.” Inside was a series of poems by Nash about the members of his favorite team, accompanied by full-page photographs of the players. Nash’s nemesis resides in such demons as malfunctioning children’s toys and the faulty plumbing in a vacation cottage: “if there is one thing that makes me terrified and panical / It is anything mechanical and nowadays everything is mechanical.” Nash also pictures himself as foiled by paperwork—income-tax returns, bills to be kept straight. These one-liners all have their basis in Nash’s close observation of the way things are in a world of compromises. Ogden was a wizard or witch who brewed Ogden's Old Firewhiskey. His alluring rhymes were loved by all and he was highly regarded in the literary world. Raised in Rye, New York and Savannah, Georgia. Close scrutiny of his verse, moreover, points up how Nash transformed the pattern of other Julia Moore gaffes into something rich and rare. These writers’ “little man” characters are often victimized by words and phrases that turn on them in this nonsensical way. Poetically inclined from a young age, he began scribbling verses from the age of six and started keeping a diary from the age of fourteen. In the majority of his works, he seems united with less neurotic humorists of earlier periods. Nash soon had a second poem taken by the New Yorker, quickly gained additional acceptances from other periodicals, and in 1931 saw his first collection of verses, Hard Lines, with Otto Soglow’s illustrations, published by Simon and Schuster.              ........... This tendency is seen in such titles as “Everything’s Haggis in Hoboken, or, Scots Wha Hae Hae,” “To Bargain Toboggan, To-Whoo!,” “Roulette Us Be Gay,” and “Curl Up and Diet.” The sounds of words also lead Nash into conscious spelling errors in order to maintain the phonic accuracy of his rhyme. Nash became very famous for his funny works. Born, Frederick Ogden Nash on August 19, 1902 in Rye, New York, he was an descendant of General Francis Nash. His wife had borne him two baby girls by this time, and Nash, in his role as protective father, had developed new views on boys. Thus converting his snore Nash wrote over 500 pieces of … “I Want New York” stresses, in one of his reversed clichés, how content Nash is with his urban environment. These one-liners all have their basis in Nash’s close observation of the way things are in a world of compromises. Powered by Create your own unique website with customizable templates. Rich, original, rash and rational He wrote three screenplays for MGM: During this screenwriting interlude, however, Nash met S.J. Perelman, who was in Hollywood on similar business. At the time of his death, in 1971, his admirers, both amateur and professional, accorded Nash the sincerest form of flattery as, with varying degrees of success, they attempted to couch their farewell tributes in Nash-like mangled meter. The two quickly became friends and decided to collaborate on a musical, for which Kurt Weill was recruited to provide the score. This is the first of the rare but poignant meditations on aging and death which contrast the more cheery or satiric majority of Nash’s verses. If you have a sore throat you can cure it by using a good goggerel “I wrote sonnets about beauty and truth, eternity, poignant pain,” he remembered. “That was what the people I read wrote about, too—Keats, Shelley, Byron, the classical English poets.” Yet Nash’s final judgment on his serious literary efforts was that he had better “laugh at myself before anyone laughed at me,” and he restricted himself increasingly to writing the whimsical verse that was to make him famous. Birthday . He worked in advertising before his writing career Perelman, who was in Hollywood on similar business. Nash claimed to think in rhyme, and had always thought in rhyming terms since the age of six. Is the essence of ogdenashiness. While working at Doubleday, Doran, Nash collaborated with Christopher Morley and another colleague to create his first published piece of comic writing, an effusion of youthful good spirits that parodies various forms of serious literature: Born in a Beer Garden or, She Troupes to Conquer: Sundry Ejaculations by Christopher Morley, Cleon Throckmorton, and Ogden Nash, and Certain of the Hoboken Ads, with a Commentary by Earnest Elmo Calkins, The poem epitomizes Nash’s whimsical style and projects the essence of the comic vision that was to amuse Nash’s readers from that time to the present. Nash had more consistent if less spectacular luck with radio and television than he did with the stage. In most of the poems that brought him fame, the whimsical tone and the classic innocent’s pose predominate. In the 1940s he was heard on radio’s “Information, Please!” and on the Bing Crosby and Rudy Vallee shows. Some of these bits of poetry appeared in Nash’s first book of humorous verse, Hard Lines (1931), and Stevens later wondered why he had been unable to recognize the poetic squibs and one-liners for more than trifles. “Ogden Nash in His Time,” is about a famous American humorous poet. As he settled, supposedly with much comic catastrophe, into parenthood, Nash continued to feature his thoughts on children along with his original themes in I’m a Stranger Here Myself (1938), The Face is Familiar (1940), Good Intentions (1942), and Many Long Years Ago (1945). However, at his finest, Nash is a comic genius who can achieve that rare thing: to evince audible laughter from the reader. The sorts of things that bewilder or mildly irritate Nash point up his general contentment with things as they are. This tendency is seen in such titles as “Everything’s Haggis in Hoboken, or, Scots Wha Hae Hae,” “To Bargain Toboggan, To-Whoo!,” “Roulette Us Be Gay,” and “Curl Up and Diet.” The sounds of words also lead Nash into conscious spelling errors in order to maintain the phonic accuracy of his rhyme. The poems of Hard Lines introduce other Nash themes and affinities. Poem Hunter all poems of by Ogden Nash poems. He moved on in 1925 to the advertising department at the Doubleday, Page publishing house, which was to become Doubleday, Doran in 1927. One critic has called Nash “a philosopher, albeit a laughing one,” who writes most typically of the “vicissitudes and eccentricitudes of domestic life as they affected an apparently gentle, somewhat bewildered man.”. See all books authored by Ogden Nash, including The Tale of Custard the Dragon, and Selected Poetry of Ogden Nash, and more on ThriftBooks.com. Stevens later recalled Nash’s ad copy for Booth Tarkington’s The Plutocrat (1927), one of the house’s titles then high on the bestseller lists. As Nash remarked in a late verse, the turbulent modern world has much need for the relief his whimsy offers: “In chaos sublunary / What remains constant but buffoonery?” Nash’s peculiar variety of poetic buffoonery combines wit and imagination with eminently memorable rhymes. When a cabbie turns out to be both adamant and an eavesdropper, Nash’s comic personae seems compelled to make a pun, calling him “an Adam-ant-Eves-dropper.” Similarities of sound often entrap Nash’s speakers, who seem unable to extricate their thoughts from the associated sounds and the imagistic momentum they develop. A famous bearer was the humorous poet Ogden Nash (1902-1971). This Site Might Help You. Nash's verse skewered the pretensions of the modern middle class existence and gave voice to the inner seethings of the average, besieged-by-life individual-and he did it with a cunning, swift humor. Harry Potter Wiki is a FANDOM Movies Community.

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